
"I think of sunglasses as architecture for the face. I wanted to create pieces that are graphic but wearable, exaggerated but elegant. "
What inspired you to bring eyewear further into the JACQUEMUS universe?
Eyewear has always been part of our language - those finishing touches that frame the mood. But with LINDA FARROW, we had the chance to deepen the product: to make sunglasses and now optical frames that reflect the brand’s proportions, playfulness, and sensuality with precision. It was about moving from styling to serious craft.
How does your Southern French upbringing continue to shape these collaborations?
There’s always a sense of light in what I do. The South of France isn’t just a location - it’s an emotion, a colour palette, a point of view. That comes through in the silhouettes and in the unexpected details. Even a pair of sunglasses can carry that memory of sunlight.
Why LINDA FARROW? What drew you to their studio?
Their legacy is undeniable, but what excited me most was how technically strong they are. I didn’t want eyewear that just looked good in a campaign. I wanted eyewear that was built beautifully, that felt elevated in the hand - and they delivered. They understood the world of JACQUEMUS and helped translate it into something enduring.
There’s a very sculptural quality to this collection - how did you approach the design process?
I think of sunglasses as architecture for the face. I wanted to create pieces that are graphic but wearable, exaggerated but elegant. Some are angular, some more fluid, but all have that element of surprise. Like a JACQUEMUS dress or bag, they should shift the mood when you put them on.
Do you see eyewear becoming a larger part of your brand going forward?
Definitely. I love accessories because they allow for experimentation at a smaller scale - but with big impact. With LINDA FARROW, we’ve started something that can evolve: new shapes, new materials, new moods. It’s about growing without losing the spontaneity.