You were born in Tehran and later studied at Istituto Marangoni in Paris. How have these different cultural environments shaped your design language?
My work exists between two worlds. Growing up in Tehran exposed me to a rich visual culture - from Persian textiles to architecture - while my time in Europe, especially London and Paris, introduced me to a more individualistic and experimental fashion landscape. That contrast helped me understand how clothing can function as a form of expression. Returning to Iran also allowed me to reconnect with local artisans and cultural references that now play a central role in my collections.
Persian textile traditions, particularly Termeh, are a recurring reference in your work. What draws you to this material?
Termeh carries centuries of craftsmanship and symbolism. I see it not only as a textile but as a cultural language. By reinterpreting it through sculptural silhouettes and contemporary construction, I try to create a dialogue between heritage and modern identity. It’s about honoring tradition while pushing it into new conceptual territory.
Your garments often feel both protective and expressive - almost like emotional armor. What ideas are you exploring through this approach?
Clothing has the power to hold emotion. I’m interested in garments that both reveal and protect the wearer. Through texture, structure, and layering, I try to create pieces that reflect vulnerability and strength simultaneously - allowing the wearer to project their own narrative onto the garment.
Collaboration and storytelling seem central to your collections. How does your creative process typically unfold?
Most collections begin with a social or personal theme. From there, I collaborate with artists, photographers, and craftspeople to translate that idea into a visual and tactile language. Working with artisans in Iran has been especially important - it allows me to integrate traditional techniques with experimental design methods.
As your label gains international visibility, what do you hope people feel when they encounter a Sahar Jaberian piece?
I hope they feel curiosity and emotional resonance. My goal is not just to design clothing but to create an atmosphere around each piece - something that invites interpretation. If the garment allows someone to express a deeper part of themselves, then the work has succeeded.
